MAINTAINING METALOGUES
The way is forever nameless
Though the uncarved block is small
No one in the world dare claim its allegiance.
Should lords and princes be able to hold fast to it
The myriad creatures will submit of their own accord,
Heaven and earth will unite and sweet dew will fall,
And the people will be equitable, though no one so decrees.
(Verse XXXII of Book One of the Tao Te Ching, D. C. Lau, 1963:91)
A metalogue is a statement, a conversation, a communicative event, the mechanical structure of which conveys meaning about the message. Metalogues create a feedback between the medium and the message such that the resulting configuration effectively transcends the structure of the moment, and in turn reflects back upon that structure.
Metalogues occur more frequently than we realize. A large part of our cultural and social context refers back to itself in a way that is coherent and consonant with its own meanings. The "structure" of our order resonates at various levels, and we can become aware of this resonance if we attune ourselves to its wavelengths.
The level of metalogues to which I am referring are those at which the structure and patterning of the natural order become reflected in a metalogue of our own cultural order. Attuning ourselves to these natural metalogues allows ourselves to become in tune to patterns of our existence that are both consonant and clearly discordant with a transcendent sense of earth being. Tapping into these metalogues allows us to exert greater influence and to cultivate our sense of earth being in more sophisticated and effective ways.
Such in-tuneness to natural metalogues allows us also to participate more effectively and to achieve more metalogues--to construct and realize such metalogues in our everyday life and in our activities.
Metalogues are the outcome of the symbolic process of the human organization of meaning--because symbolisms are borrowed from and based upon the natural order, natural metalogues are also a frequent and common part of the human organization of meaning. Such metalogues are vital and useful because they help to put us in touch with our earth being.
Poetry is inherently meta-logical, and a poetic nature is by definition full of the sense of earth being, especially when such poetry is tuned to nature. A poem mechanically conveys the message and meaning of the poem on several levels simultaneously--when it is effectively done it becomes art.
Being poetic does not necessarily mean writing literary poetry. The poetic spirit can be expressed and made manifest in virtually all human relations that we maintain on earth, with one another, and with the many facets and things of our lives. We can even find poetry in those elements of our existence that would otherwise be deemed to be without any connection to the poetic. Science and technology for instance that drives development and which seems to lead us historically further and further away from our own earth being, is replete with natural poetry on many levels.
We rendezvous in your small office
with the overgrown spider plant still hanging in the window
we discuss all the big things in our world and lives
a brief academic appointment
a meeting of minds upon important intellectual affairs
a temporary line drawn upon a piece of official paper
long-lasting questions of what classes to take
and all that professors have taken
between our words I feel an uneasiness
our chairs are hard and cold to sit upon
so much wasted and turbulent water beneath our bridge
you a professorial student
and I am an amateur professor
never the twain shall meet
this knot of our mutual existence
twisting and turning in so many different directions
our impatience growing
threatening to prematurely sever our ties
before they've had a chance
Million dollar miracle
the money-faced Buddha
there is no brand of sacredness
that cannot be made more golden
by a more expensive offering
all qualities can be thus transmuted heaven bound
touch its hand, kiss its feet
rub its shoulder with your palm
burn the paper money
and the joss in copious quantities
receive the blessing of the head priest
the gates of heaven will open wide
to receive all those beautiful Buddhists
who've been so bountifully blessed
Nirvana awaits the healthy
however so patiently
silence hangs upon your words
which fall like so many small stones
ever downward into the bottomless abyss
the accumulating echoes weigh heavily
upon my tired mind
the grand game
life's lottery
who's first in line
who gets left behind
the daily race
the unending roll of the dice
today you win and I lose
tomorrow you lose and I win
gambling against the odds
playing musical chairs
with our over-inflated egos
tiptoeing on thin ice
your seeming superiority
is merely the cosmetic veil
of life's illusion
you've invested everything
on the critical moment
of the marketplace
the superficial show of class
the arrogant privilege of money
that buys so much opportunity
making more money
a spiraling stairway to Heaven
or the vicious descent into Hell
I pop the bubble of your illusion
To find only the thin emptiness of your ego
a life bereft of great significance
status forfeit its balance and symmetry
ugliness that has worked its way
down deep beneath the skin
Now that you have framed my life
In a way that suits your fancy
How convenient to find a place upon the shelf
upon which you can securely put me
so that you may take me down whenever you like
brush off the dust and handle me as you will
and then put me back again as before
objects of love
objects of hate
used and perused
mark well your final words
for they will be the last you will speak to me
at the very moment you have captured me
you have lost me
irretrievably
we do not yet know that this marks our final farewell
a parting of our ways
without words
without understanding.
I close my eyes
and the bright light still shines
upon my face
small shinning circles and stars
float about in the darkness
of my eyelids
and there another strange face
comes into full view
staring directly into my eyes
it glows and glowers in a look
of angry madness
its eye's dark hollow holes
blank spaces between its cheeks
it grows in intensity and contrast
burning its imprint upon my brain
then explodes in a shower of sparkles
its impression slowly fades into the shadow
I try to follow it
as it drifts to the corner of my eye
and then disappears from sight
I open my eyes and look around
nothing is there but my own shadow
hiding our motives
beneath a veneer of thickened
weather worn skin
and multiple layers of clothes
our nakedness of our natural condition
kept from public view
beneath the veil of grand illusion
something we are made to feel ashamed of
guilty of its taboo exposure
our bodies are but the outer layers
of the inner-most sources of our soul
our spirits enchained by basic
insatiable biological needs
mortal we are and will always remain
imperfect and incomplete
from beginning to end
looking for a victim
hunting for a target
stalking the sidewalks and concourses
nameless and faceless
absolutely anonymous
it is important
not to get to know
those one decides to hate
or take advantage of in life
it is important to ignore
those one has created failure in
transforming them into convenient
instruments and objects of possession
and private designs
we do not have to sympathize with their suffering
or suffer from their sympathies
creatures of our darkness
half-human and half-animal
who come to dwell permanently in our shadow
twisting and turning
bending and unending
trials and tribulations
I have burned all the bridges behind me
and the ghosts have all been left on the other side
though we meet each other once again
in this small world
it is no longer quite the same as before
something vital is missing
and there is no longer much to talk about
except the weather and the time of day
and how we both are what we've both been doing
since we had last seen each other
we exchange our current addresses and phone numbers
and make empty promises of getting together again
both of us knowing we never will
running out of much more to talk about
we both hesitate, and then say good-bye
"It's been nice seeing you again"
"Quite a pleasant surprise"
those were bridges I burned long ago
and have since forgotten about
things seem to have changed
I do not know exactly how
it was all so slow to happen
and there were so many things happening at once
all in between
and now I am a little stranger than before
I no longer laugh at much
except in passing humor
to hid my disillusioned seriousness
I sit now in solitude and silence
and still stand out from a crowded placed
I've given up most every hope and ream
as so much false illusion
I no longer can enjoy the shallow waters
by making big splashes
I only seek to cool my bare feet
and to sometimes wet my whistle
now that it all seems so different
I can no longer recover my spirit and strength
I get sleepy early in the evening
and the day has grown only shorter
living in a shoe box
drinking through a paper straw
tiptoeing around on eggshells
trying to skate on thin ice
afraid of falling
tunnel vision
blinded
by a single
solitary point of light
our horizons are the brim of a coconut shell
little do we realize what lies beyond
until we try slipping over the edge
I know that you know that I know that you know that I know that you are not paying any attention to me
How good you are at it as we stare into each other's unfriendly faces at long distance
neither will be the first to avert our eyes in a show of prideful weakness
all petty things we do
to impress ourselves
of our importance
Blanket Copyright, Hugh M. Lewis, © 2005. Use of this text governed by fair use policy--permission to make copies of this text is granted for purposes of research and non-profit instruction only.
Last Updated: 03/10/05